Konichan

 And we come to the end of the series. ' La Fortuna ' reaches its sixth and last episode on Movistar + consolidating the sensations that we have had during these weeks from the hand of Alejandro Amenábar and Alejandro Hernández . The odyssey of Álex Ventura and company to get the treasure back to Spain in these fifty minutes find their last obstacles in an episode that, perhaps, is milder (not less effective) than we would have liked. By the way, from here, spoilers for the end of 'La Fortuna'. Collect the boxes Surely when we anticipated in the last episode the last movement of Frank Wild in his tour de force against Ventura and company, we did not imagine that it would be so bland and not very allegorical. That intention to charge for the boxes remains on the screen much less aggressive in its last-play intention than it could. The feeling is that they have not known very well how to solve the villain. With how well worked and dominated that Stanley Tucci had to Frank

 ' Chapelwaite ', the exquisite prequel miniseries of ' The Salem's Lot ' with Adrien Brody, has been released by surprise on HBO Max. A tremendous free buffet for lovers of old-school gothic cinema with creatures of the night that goes from psychological to cosmic horror with the same art director of ' El faro ' (2019) giving the set an impeccable setting in which a budget adjusted it looks like good vintage cinema. The series takes Stephen King's Lovecratian story 'The mysteries of the worm' (Jerusalem's Lot) as a starting point to create an epic story of 10 episodes that unfolds in three well-differentiated acts, even in tone, and that they gradually introduce into the story. different antagonists, which even carry elements of folk horror. His look at genre cinema is approached from the vocation of timeless terror, resulting almost anachronistic, away from trends in his patient approach to Gothic. The Salem's Lot multiverse A rare tele

 Last October, Spanish cinemas closed with record figures —34.7 million euros and 5.4 million viewers— that invited us to uncork the bottles of cava and celebrate in style some collection figures and assistance more needed than ever. But, after the storm, calm always comes, and the month of November has drawn the blind with a fall as hard as it is disappointing . Between the 1st and the 31st of November, our cinemas received 4.3 million spectators who left 26.9 million euros at the box office . Sums very similar to those of September, but which represent a 417% improvement compared to November 2020, in which a total of 5.2 million was added at the box office through 0.8 million tickets. Superheroes, robberies and hits As expected, although without any fanfare, Marvel Studios ' 'Eternals' crowned the Top with the most viewed of the month, adding a total of 6.4 million euros raised as of Friday 5. After her, with one week less on the bill, Jaume Balagueró's 'Way Down&

 The heist cinema is experiencing an interesting revival with the success of many and very diverse proposals that pose great coups and epic robberies against the background of the financial crisis, acting as a facilitator of the sympathies of the general public. ' Way Down ' is a good example of the good health of the genre and especially in Spain, since it is directed by Jaume Balagueró, in his first non-documentary work far from horror or thriller. In recent years we have had many examples, but ' La casa de papel ' is an inescapable global phenomenon that has much in common with this new approach to the world of thieves. The specific point that this film plays against is that its theft is precisely in the Bank of Spain, the place where we have been three seasons of the Netflix phenomenon, which leads to a very difficult level of complexity in two hours . If Álex Pina's series took ideas from ' Hidden Plan ' (2006) or ' One Hundred Years of Forgiveness